{"id":10513,"date":"2026-04-10T11:51:26","date_gmt":"2026-04-10T11:51:26","guid":{"rendered":"https:\/\/www.chiapatino.com\/home\/?page_id=10513"},"modified":"2026-05-11T13:14:23","modified_gmt":"2026-05-11T13:14:23","slug":"workingforthemacbeths","status":"publish","type":"page","link":"https:\/\/www.chiapatino.com\/home\/workingforthemacbeths\/","title":{"rendered":"Working for the Macbeths"},"content":{"rendered":"

[vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”0″ top_padding=”0″ bottom_padding=”0″ back_color=”color-wayh” back_image=”10549″ overlay_color=”color-prif” overlay_alpha=”11″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”177615″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette”][vc_column width=”1\/1″][vc_empty_space empty_h=”5″][vc_empty_space empty_h=”5″][vc_empty_space empty_h=”5″][vc_empty_space empty_h=”5″][vc_empty_space empty_h=”5″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_color=”color-xsdn” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”117128″ overlay_color_type=”uncode-palette”][vc_column column_width_percent=”100″ gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”474554″][\/vc_column_text][vc_custom_heading heading_semantic=”h1″ text_font=”font-165742″ text_size=”h1″ uncode_shortcode_id=”939801″ subheading=”Music by Johanny Navarro & Libretto by Marcus Yi”]Working for the Macbeths[\/vc_custom_heading][vc_separator sep_color=”color-jevc” uncode_shortcode_id=”157091″ sep_color_type=”uncode-palette” el_width=”50%”][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”829891″][vc_column width=”1\/3″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”124976″]<\/p>\n

Creative Team<\/h3>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”607454″]Conductor: Jayce Ogren with the Contemporary Directions Ensemble<\/em>
\nStage Director: Ch\u00eda Pati\u00f1o<\/em>
\nAssistant Conductor: Michael Roest<\/em>
\nCoaches\/Pianists: Timothy Cheek, Andrea Morokutti<\/em>[\/vc_column_text][vc_empty_space empty_h=”3″][\/vc_column][vc_column width=”1\/3″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”123448″]<\/p>\n

Cast<\/h3>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”152666″]Camryn Nelson,<\/em> Florinda
\nJennie Rupp<\/em>, Lady Macbeth
\nCollin Stillday & Timothy Zajdela,<\/em> Macbeth
\nMaxwell Vernon,<\/em> Macduff
\nAngela Bonello,<\/em> Witch 1 (Mom)
\nAmour Bethea,<\/em> Witch 2 (Nana)
\nPaul Leland Hill,<\/em> Witch 3 (Auntie Thomanisa)
\nCatherine Goode,<\/em> Madam Alice Tarik
\nBrendan Lockhart,<\/em> Banquo
\nElla Peters,<\/em> Prince Malcom\/King Duncan
\nTad Stolz & Olivia Kirk,<\/em> Pageboy\/Soldier\/SFX[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”534734″]<\/p>\n

Production<\/h3>\n

[\/vc_column_text][vc_column_text uncode_shortcode_id=”167895″]Madysen Casey,<\/em> costume designer
\nMichael Roest,<\/em> assistant conductor
\nTimothy Cheek,<\/em> vocal director\/coach
\nAndrea Morokutti & Eric Jenkins,<\/em> rehearsal pianist\/coach
\nLauren Lenz,<\/em> assistant director\/stage manager
\nB’Nathaniel Orlu,<\/em> supertitles operator[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_row_inner][vc_column_inner width=”1\/1″][vc_custom_heading text_font=”font-165742″ uncode_shortcode_id=”138291″]Synopsis\u00a0<\/strong>[\/vc_custom_heading][vc_column_text uncode_shortcode_id=”145092″]Shakespeare gets turned on his head through the eyes of the unnamed Gentlewoman in the play Macbeth. Florinda is a lady-in-waiting to Lord and Lady Macbeth. After the witches prophesize that she will be the downfall of her new employers, Florinda is determined to fight fate and give the Macbeths the happy ending they deserve. Can she fight destiny or is the play doomed to repeat itself?[\/vc_column_text][vc_button outline=”yes” border_width=”0″ uncode_shortcode_id=”329588″ link=”url:https%3A%2F%2Fwww.chiapatino.com%2Fwp-content%2Fuploads%2F2026%2F05%2FOpera-Lab-4.10.26.pdf|target:_blank”]Program Opera Lab[\/vc_button][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_empty_space empty_h=”2″][vc_custom_heading text_font=”font-165742″ uncode_shortcode_id=”140193″]Gallery[\/vc_custom_heading][vc_separator sep_color=”color-jevc” uncode_shortcode_id=”839995″ sep_color_type=”uncode-palette” el_width=”15%”][vc_empty_space empty_h=”2″][vc_gallery el_id=”gallery-482134″ medias=”10551,10552,10553,10554,10555,10556,10557,10558,10560,10561,10562,10563,10564,10565,10566″ gutter_size=”0″ screen_lg=”1000″ screen_md=”600″ screen_sm=”480″ single_overlay_opacity=”50″ single_padding=”2″ uncode_shortcode_id=”159529″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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