{"id":1097,"date":"2019-08-28T18:45:14","date_gmt":"2019-08-28T18:45:14","guid":{"rendered":"https:\/\/www.chiapatino.com\/?page_id=1097"},"modified":"2022-01-20T17:03:06","modified_gmt":"2022-01-20T17:03:06","slug":"paripe","status":"publish","type":"page","link":"https:\/\/www.chiapatino.com\/home\/paripe\/","title":{"rendered":"Parip\u00e9"},"content":{"rendered":"

[vc_row row_height_percent=”50″ back_image=”6332″ back_position=”center bottom” parallax=”yes” kburns=”yes” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”181230″ shape_dividers=””][vc_column width=”1\/1″][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=”100″ gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_empty_space empty_h=”2″][vc_custom_heading]<\/p>\n

Parip\u00e9<\/h2>\n

[\/vc_custom_heading][vc_column_text]Me encanta nuestro p\u00fablico. Y nuestros invitados lo adoran. D\u00e9jenme explicarles por qu\u00e9. Declaro tremendamente exitoso al Festival Ecuador Jazz 2O12. Abrimos con quien consideramos una de las nuevas grandes voces del Jazz: Youn Sun Nah, quien lleg\u00f3 despu\u00e9s de 60 horas de vuelo desde Corea y baj\u00f3 sin demostrar cansancio alguno, lista para explorar, llena de curiosidad y siempre con una sonrisa p\u00edcara y c\u00f3mplice. Era su primer viaje a Latinoam\u00e9rica, por lo que, una vez m\u00e1s, nos llevamos el privilegio de estrenar grandes artistas en nuestro cono. Su concierto fue el\u00e9ctrico. Su honestidad e integridad como artista inspiradora. Una artista sin miedo, guiada por su instinto y su confianza en lo que escucha “o\u00eddo adentro”, por lo que quiere contar. Explor\u00f3 sonidos muy poco escuchados en nuestro escenario y me quedan cortas las palabras para describirlos, prefiero quedarme con la sensaci\u00f3n de haberlos vivido. Sus discos son maravillosos y, aun as\u00ed no le hacen justicia, lo cual reafirma mi fe en los espect\u00e1culos en vivo. El p\u00fablico se embarc\u00f3 en el fr\u00e1gil bote de quien sabe cuidar a su audiencia, se enamor\u00f3 inmediatamente de ella y del gran Ulf Wakenius, su tremendo guitarrista. Gozamos del privilegio de un teatro lleno que se llev\u00f3 esta vivencia a casa y que, ojal\u00e1, permita que la m\u00fasica y los sonidos de aquella noche lo inspire por un buen tiempo. La magia del teatro aflora nuestra esencia, nuestros potenciales y nuestros sue\u00f1os pero, sobre todo, nuestra inmensa capacidad de sentir. El gigante monstruo teatral tiene la fant\u00e1stica cualidad de comerse cualquier miedo.<\/p>\n

Me encanta nuestro p\u00fablico porque tiene las agallas de explorar lo desconocido. Empiezo a reconocerlos, a verlos con la frecuencia del amigo, del vecino, de la familia, siempre con la honestidad de quien indaga, con las ganas de quien est\u00e1 dispuesto a dejarse sorprender.<\/p>\n

Al d\u00eda siguiente este espacio, tambi\u00e9n lleno, bail\u00f3 con Trombone Shorty y qued\u00f3 felizmente confirmado que, 125 a\u00f1os despu\u00e9s, el Teatro Nacional Sucre se debe m\u00e1s al arte que a la apariencia. Yo paripeo, t\u00fa paripeas, nosotros paripeamos, pero en la oscuridad de nuestras butacas vivimos solos nuestras verdades. Trombone Shorty sali\u00f3 del avi\u00f3n al escenario. No lleg\u00f3 ni a sentir los efectos de la altura cuando, con igual valent\u00eda, se lanz\u00f3 una nota de m\u00e1s de un minuto con sus inmensos e inocentes pulmones. Parec\u00eda que su acto heroico terminar\u00eda en un desmayo, pero, colapso previo y desde el suelo, se incorpor\u00f3 impecable para seguir compartiendo con el p\u00fablico fren\u00e9tico su arte y su vigor.<\/p>\n

Libertad infinita temporal: complicidad absoluta entre el artista entregado y su p\u00fablico. Lo mismo sucedi\u00f3 cada noche de conciertos a lo largo de nuestro Ecuador Jazz, con diferentes lenguajes y ritmos, sin trabas, sin miedos, con un teatro lleno que reson\u00f3 y agradeci\u00f3.<\/p>\n

Esa es la energ\u00eda fresca, renovada y libre de nuestro p\u00fablico, conformado por so\u00f1adores y aventureros, por gente honesta llena de entusiasmo por aprender, por vivir el mundo en un escenario. As\u00ed empiezan los festejos de este gran a\u00f1o en el que celebramos el 125 aniversario de nuestro querido Teatro Nacional Sucre, con eventos de primera y entradas agotadas. Se acerca una zarzuela: Luisa Fernanda en formato did\u00e1ctico, para que la gente pueda inmiscuirse en el oculto trabajo de los entretelones de una producci\u00f3n esc\u00e9nica. Ya llega John Zorn con su pulido arte ecl\u00e9ctico, uno de los m\u00fasicos contempor\u00e1neos m\u00e1s importantes y experimentales. Por supuesto, regresa el Festival de M\u00fasica Sacra, como regresar\u00e1 siempre el arte: honesto, con humor y con l\u00e1grimas, lo que haga falta y sin miedo al miedo. Lo pide el teatro, y lo pide nuestro p\u00fablico, por los siglos de los siglos…<\/p>\n

 <\/p>\n

Ch\u00eda Pati\u00f1o<\/strong>,\u00a0Directora Art\u00edstica Ejecutiva<\/em><\/p>\n

Marzo, 2012<\/p>\n

[\/vc_column_text][vc_button button_color=”color-nhtu” border_width=”0″ link=”url:https%3A%2F%2Fwww.teatrosucre.com%2Fsites%2Fdefault%2Ffiles%2F03_marzo2012.pdf||target:%20_blank|”]DESDE EL TEATRO #73[\/vc_button][vc_empty_space empty_h=”5″][vc_empty_space empty_h=”5″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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