{"id":2418,"date":"2019-09-19T18:08:21","date_gmt":"2019-09-19T18:08:21","guid":{"rendered":"https:\/\/www.chiapatino.com\/?page_id=2418"},"modified":"2022-01-20T21:59:13","modified_gmt":"2022-01-20T21:59:13","slug":"cerramos","status":"publish","type":"page","link":"https:\/\/www.chiapatino.com\/home\/cerramos\/","title":{"rendered":"\u00a1Cerramos los Miserables!"},"content":{"rendered":"

[vc_row row_height_percent=”50″ override_padding=”yes” h_padding=”0″ top_padding=”0″ bottom_padding=”0″ back_image=”6365″ back_position=”center top” kburns=”yes” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”196038″ shape_dividers=””][vc_column width=”1\/1″][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=”100″ gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_empty_space empty_h=”2″][vc_custom_heading]<\/p>\n

\u00a1Cerramos los Miserables!<\/h3>\n

[\/vc_custom_heading][vc_column_text]\u00a1Cerramos Los Miserables!… Doscientas personas y pico moviendose al mismo tiempo, m\u00e1s de quinientos vestuarios, dos a\u00f1os de trabajo y concepci\u00f3n, un a\u00f1o de producci\u00f3n, seis meses de preparaci\u00f3n musical, dos meses de preparaci\u00f3n coral, seis semanas de ensayos esc\u00e9nicos, dos semanas de ensayos orquestales, una semana t\u00e9cnica, dos ensayos generales abiertos al p\u00fablico y, finalmente, cuatro funciones agotadas.<\/p>\n

Lo que el p\u00fablico ve: luces, vestuario, escenograf\u00eda, solistas y coros. Lo que ve sin necesariamente percibir la relevancia de su trabajo: nuestro Director Musical, los m\u00fasicos de la orquesta en la fosa, las pianistas acompa\u00f1antes y los t\u00e9cnicos, aquellos h\u00e9roes esenciales para sostener el ritmo de esta obra.<\/p>\n

El secreto mejor guardado: la Directora Coral que prepar\u00f3 a los cantantes en un intenso trabajo por perfeccionar musicalmente su afinaci\u00f3n y dicci\u00f3n para empezar a matizar esc\u00e9nicamente el montaje.<\/p>\n

A quienes aplaudimos sin conocer o entender por qu\u00e9: los dise\u00f1adores de escenograf\u00eda, vestuario, luces, sonido, maquillaje y peluquer\u00eda, com\u00fanmente reconocidos como “los ping\u00fcinos”<\/em>, por su elegante entrada en frac al final de la obra.<\/p>\n

Y tos grandes oficios invisibles sin cuyo apoyo y trabajo nada hubiese sido posible: los asistentes de direcci\u00f3n y jefes de piso, los sonidistas, los tramoyistas, los realizadores, los utileros, los soldadores, los pintores, los carpinteros, los productores, los administrativos, los financieros, los asesores legales, el departamento de comunicaci\u00f3n con su campa\u00f1a de dise\u00f1o gr\u00e1fico, audiovisual, relaciones p\u00fablicas, marketing y fotograf\u00eda, los choferes, el personal de seguridad, limpieza y log\u00edstica, adem\u00e1s de todas las personas que se involucraron en este montaje de una u otra generosa forma.<\/p>\n

Sacar adelante una producci\u00f3n de este tama\u00f1o requiere de el compromiso de muchos y la satisfacci\u00f3n es inmensa mientras escribo estas lineas, a pocas horas de abrir las puertas para el estreno, con casa llena y boletos absolutamente agotados para todas las funciones, realidad que no deja de ser una profunda sorpresa y que nos obliga a seguir arriesgando y asumiendo retos.<\/p>\n

Es maravilloso sentir el respaldo de un p\u00fablico que llega a ver una producci\u00f3n nacional. Porque si el p\u00fablico no llega, el artista no crea. Pedir cultura es f\u00e1cil, pero hacerla es un proceso dif\u00edcil con un sistema que parece oponerse a la creaci\u00f3n. No existe una ley de cultura. No existe un s\u00f3lido apoyo al artista que incentive la presentaci\u00f3n o la exportaci\u00f3n de un producto nacional. Tenemos un hueco vergonzoso que la ley ecuatoriana no atiende y que los artistas esperan, aunque deber\u00edamos demandar.<\/p>\n

Asistir a obras de alto riesgo y vuelo como Guodual, la primera creaci\u00f3n de circo ecuatoriana comisionada por e[ Teatro S\u00e1nchez Aguilar, en Guayaquil y encontrar un teatro absurdamente vac\u00edo es una patada que asusta a quienes sue\u00f1an y financian, y corta las alas de quienes crean. Por todo esto empiezo julio no solo con ganas de descansar, sino con un agradecimiento infinito a todos aquellos que aportaron a una nueva producci\u00f3n de ta FTNS y tambi\u00e9n a Quito y a sus residentes, por venir a verla. \u00a1Continuamos so\u00f1ando gracias a Ustedes!<\/p>\n

 <\/p>\n

Ch\u00eda Pati\u00f1o<\/strong>, Directora Art\u00edstica – Ejecutiva<\/em><\/p>\n

Julio, 2016<\/p>\n

[\/vc_column_text][vc_button button_color=”color-nhtu” border_width=”0″ link=”url:https%3A%2F%2Fwww.teatrosucre.com%2Fsites%2Fdefault%2Ffiles%2F07_julio2016.pdf||target:%20_blank|”]DESDEL TEATRO #126[\/vc_button][vc_empty_space empty_h=”4″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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