{"id":9066,"date":"2017-07-01T00:00:36","date_gmt":"2017-07-01T00:00:36","guid":{"rendered":"https:\/\/www.chiapatino.com\/home\/?page_id=9066"},"modified":"2025-10-23T16:43:10","modified_gmt":"2025-10-23T16:43:10","slug":"ptclfma","status":"publish","type":"page","link":"https:\/\/www.chiapatino.com\/home\/ptclfma\/","title":{"rendered":"LA FLAUTA MAGICA DE LOS ANDES"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; back_image=&#8221;5561&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;255139&#8243;][vc_column width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;5&#8243;][vc_empty_space empty_h=&#8221;5&#8243;][vc_empty_space empty_h=&#8221;5&#8243;][vc_empty_space empty_h=&#8221;5&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; overlay_color=&#8221;color-gyho&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; style=&#8221;dark&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_custom_heading]<\/p>\n<h2>La Flauta M\u00e1gica de los Andes<\/h2>\n<p>La Flauta M\u00e1gica,\u00a0W.A. Mozart[\/vc_custom_heading][vc_separator sep_color=&#8221;color-jevc&#8221; uncode_shortcode_id=&#8221;212070&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_width=&#8221;80%&#8221;][vc_column_text]2018<br \/>\n<a href=\"https:\/\/www.teatrosucre.com\">TEATRO NACIONAL SUCRE (Quito, Ecuador)<\/a><\/p>\n<p><strong><em>Direcci\u00f3n Musical \/ Conductor:<\/em><\/strong> Carmen-Helena T\u00e9llez<br \/>\n<strong><em>Direcci\u00f3n Esc\u00e9nica \/ Stage Director:<\/em><\/strong> Ch\u00eda Pati\u00f1o<br \/>\n<strong><em>Adaptaci\u00f3n Musical Final \/ Final Musical Adaptation:<\/em><\/strong> Carmen-Helena T\u00e9llez, Tadashi Maeda, Giovanny Mera y Marcelo Beltr\u00e1n<br \/>\n<strong><em>Adaptaci\u00f3n Musical Original \/ Original Musical Adaptation:<\/em> <\/strong>Segundo C\u00f3ndor (+)<br \/>\n<strong><em>Concepto y Traducci\u00f3n a Espa\u00f1ol \/ Concept and Translation:<\/em><\/strong> Ch\u00eda Pati\u00f1o<br \/>\n<strong><em>Escenograf\u00eda \/ Scenic Desing:<\/em> <\/strong>Liliana Duque<br \/>\n<strong><em>Dise\u00f1o de Vestuario \/ Costume Desing:<\/em><\/strong> Felype De Lima<br \/>\n<strong><em>Dise\u00f1o de Marionetas \/ Puppets Desing:<\/em><\/strong> Alejandra Prieto<br \/>\n<strong><em>Dise\u00f1o de Luces \/ Lights Desing:<\/em><\/strong> Carlos Alzueta<br \/>\n<strong><em>Dise\u00f1o de Maquillaje y Peluquer\u00eda \/ Makeup and Hair Desing:<\/em><\/strong> Cecilia Larrea[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; 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overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; zoom_width=&#8221;0&#8243; zoom_height=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_custom_heading uncode_shortcode_id=&#8221;958503&#8243;]<\/p>\n<h2>Galer\u00eda de im\u00e1genes \/ Image Gallery<\/h2>\n<p>[\/vc_custom_heading][vc_separator sep_color=&#8221;color-jevc&#8221; el_width=&#8221;30%&#8221; uncode_shortcode_id=&#8221;131554&#8243; sep_color_type=&#8221;uncode-palette&#8221;][\/vc_column][\/vc_row][vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;0&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;0&#8243; back_color=&#8221;color-jevc&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;347411&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; style=&#8221;dark&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_gallery el_id=&#8221;gallery-285528&#8243; isotope_mode=&#8221;fitRows&#8221; medias=&#8221;10282,10283,10284&#8243; gutter_size=&#8221;0&#8243; screen_lg=&#8221;1000&#8243; screen_md=&#8221;600&#8243; screen_sm=&#8221;480&#8243; single_text=&#8221;under&#8221; single_overlay_opacity=&#8221;1&#8243; single_overlay_anim=&#8221;no&#8221; single_text_anim=&#8221;no&#8221; single_padding=&#8221;0&#8243; single_text_reduced=&#8221;yes&#8221; single_border=&#8221;yes&#8221; uncode_shortcode_id=&#8221;766072&#8243;][vc_gallery el_id=&#8221;gallery-602407&#8243; isotope_mode=&#8221;fitRows&#8221; medias=&#8221;7482,7491,7496,7495,7494,7492,7490,7489,7488,7486,7487,7485,7484,7483,7480,7493,7479,7478,7477,7475,7474,7473,7472,7497&#8243; gutter_size=&#8221;0&#8243; media_items=&#8221;media|lightbox|original&#8221; screen_lg=&#8221;1000&#8243; screen_md=&#8221;600&#8243; screen_sm=&#8221;480&#8243; single_width=&#8221;2&#8243; single_back_color=&#8221;color-prif&#8221; single_overlay_opacity=&#8221;50&#8243; single_overlay_anim=&#8221;no&#8221; single_text_anim=&#8221;no&#8221; single_image_anim=&#8221;no&#8221; single_padding=&#8221;0&#8243; single_border=&#8221;yes&#8221; uncode_shortcode_id=&#8221;133619&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;5&#8243; bottom_padding=&#8221;5&#8243; overlay_alpha=&#8221;100&#8243; gutter_size=&#8221;100&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; style=&#8221;inherited&#8221; uncode_shortcode_id=&#8221;188807&#8243; back_color_type=&#8221;uncode-solid&#8221; back_color_solid=&#8221;#a9c16c&#8221;][vc_column column_width_percent=&#8221;100&#8243; align_horizontal=&#8221;align_center&#8221; gutter_size=&#8221;3&#8243; style=&#8221;dark&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; zoom_width=&#8221;0&#8243; zoom_height=&#8221;0&#8243; width=&#8221;1\/1&#8243;][uncode_slider slider_interval=&#8221;3000&#8243; slider_navspeed=&#8221;700&#8243; slider_loop=&#8221;yes&#8221; slider_hide_arrows=&#8221;yes&#8221; el_id=&#8221;148603&#8243;][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;4&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;313323&#8243; back_color_type=&#8221;uncode-solid&#8221; back_color_solid=&#8221;#a9c16c&#8221;][vc_column_inner column_width_use_pixel=&#8221;yes&#8221; align_horizontal=&#8221;align_center&#8221; gutter_size=&#8221;3&#8243; style=&#8221;light&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; column_width_pixel=&#8221;900&#8243;][vc_custom_heading text_color=&#8221;color-jevc&#8221; heading_semantic=&#8221;h6&#8243; text_size=&#8221;h6&#8243; text_transform=&#8221;uppercase&#8221; uncode_shortcode_id=&#8221;196600&#8243; text_color_type=&#8221;uncode-palette&#8221;]Prensa \/ Press[\/vc_custom_heading][vc_custom_heading]<\/p>\n<h4>La Flauta M\u00e1gica de los Andes explora a Mozart desde la cultura andina<\/h4>\n<p>[\/vc_custom_heading][vc_column_text]<em>&#8220;la adaptaci\u00f3n andina de la obra mozartiana se afianza, en gran medida, en las quenas, las flautas andinas, la zampo\u00f1a, el charango, la marimba, arpa ecuatoriana y el clavec\u00edn barroco que lleg\u00f3 al Ecuador hacia finales del siglo XVII. Para lograr la comuni\u00f3n sonora, el Teatro Nacional Sucre re\u00fane a 38 m\u00fasicos de la Orquesta de Instrumentos Andinos y 59 cantantes que, mayoritariamente, son miembros de los elencos: Coro Mixto Ciudad de Quito, Escuela L\u00edrica, Coro Juvenil y el Coro Infantil.&#8221;<\/em><\/p>\n<p style=\"text-align: right;\"><em>EL COMERCIO, 11 de junio 2018<\/em><\/p>\n<p>[\/vc_column_text][vc_button size=&#8221;btn-sm&#8221; hover_fx=&#8221;outlined&#8221; border_width=&#8221;0&#8243; link=&#8221;url:https%3A%2F%2Fwww.elcomercio.com%2Ftendencias%2Fobra-teatro-flautamagicadelosandes-mozart-culturaandina.html||target:%20_blank|&#8221; button_color_type=&#8221;uncode-solid&#8221; uncode_shortcode_id=&#8221;108904&#8243; button_color_solid=&#8221;#66ba00&#8243;]Art\u00edculo Completo \/ Complete Article[\/vc_button][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;4&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;897617&#8243; back_color_type=&#8221;uncode-solid&#8221; back_color_solid=&#8221;#a9c16c&#8221;][vc_column_inner column_width_use_pixel=&#8221;yes&#8221; align_horizontal=&#8221;align_center&#8221; gutter_size=&#8221;3&#8243; style=&#8221;light&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; column_width_pixel=&#8221;900&#8243;][vc_custom_heading text_color=&#8221;color-jevc&#8221; heading_semantic=&#8221;h6&#8243; text_size=&#8221;h6&#8243; text_transform=&#8221;uppercase&#8221; uncode_shortcode_id=&#8221;137837&#8243; text_color_type=&#8221;uncode-palette&#8221;]Prensa \/ Press[\/vc_custom_heading][vc_custom_heading]<\/p>\n<h4>&#8220;La Flauta M\u00e1gica de Mozart&#8221; debut\u00f3 bajo el prisma andino en Quito<\/h4>\n<p>[\/vc_custom_heading][vc_column_text]<em>&#8220;Probablemente Mozart nunca imagin\u00f3 que su \u00faltima \u00f3pera, &#8220;La Flauta M\u00e1gica&#8221;, considerada un alegato mas\u00f3nico, ten\u00eda un argumento que calza con la cosmovisi\u00f3n andina, en la que el dios sol y la luna, reina de la noche, son figuras centrales.&#8221;<\/em><\/p>\n<p style=\"text-align: right;\"><em>El Tel\u00e9grafo,\u00a014 de junio de 2018<\/em><\/p>\n<p>[\/vc_column_text][vc_button size=&#8221;btn-sm&#8221; hover_fx=&#8221;outlined&#8221; border_width=&#8221;0&#8243; link=&#8221;url:https%3A%2F%2Fwww.eltelegrafo.com.ec%2Fnoticias%2Fcultura%2F1%2Fflauta-magica-mozart-andino-quito||target:%20_blank|&#8221; button_color_type=&#8221;uncode-solid&#8221; uncode_shortcode_id=&#8221;997380&#8243; button_color_solid=&#8221;#66ba00&#8243;]Art\u00edculo Completo \/ Complete Article[\/vc_button][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;4&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;442627&#8243; back_color_type=&#8221;uncode-solid&#8221; back_color_solid=&#8221;#a9c16c&#8221;][vc_column_inner column_width_use_pixel=&#8221;yes&#8221; align_horizontal=&#8221;align_center&#8221; gutter_size=&#8221;3&#8243; style=&#8221;light&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; column_width_pixel=&#8221;900&#8243;][vc_custom_heading text_color=&#8221;color-jevc&#8221; heading_semantic=&#8221;h6&#8243; text_size=&#8221;h6&#8243; text_transform=&#8221;uppercase&#8221; uncode_shortcode_id=&#8221;900620&#8243; text_color_type=&#8221;uncode-palette&#8221;]Prensa \/ Press[\/vc_custom_heading][vc_custom_heading]<\/p>\n<h4>\u2018La flauta m\u00e1gica de los Andes\u2019, en escena<\/h4>\n<p>[\/vc_custom_heading][vc_column_text]<em>&#8220;Sobre la \u00f3pera y sus vivencias personales, Ch\u00eda Pati\u00f1o confiesa que \u201cemprend\u00ed un necesario viaje de aprendizaje y conocimiento a lo profundo de nuestras ra\u00edces. Ese viaje me ha llevado a redescubrir esta maravillosa cruz andina, nuestra cruz del sur, nuestra chakana (escalera o puente) que gu\u00eda con amorosa luz y sin l\u00e1tigo, sin lastres, sin remordimiento.&#8221;<\/em><\/p>\n<p style=\"text-align: right;\"><em>EL UNIVERSO, 16 de junio, 2018<\/em><\/p>\n<p>[\/vc_column_text][vc_button size=&#8221;btn-sm&#8221; hover_fx=&#8221;outlined&#8221; border_width=&#8221;0&#8243; link=&#8221;url:https%3A%2F%2Fwww.eluniverso.com%2Fnoticias%2F2018%2F06%2F16%2Fnota%2F6812285%2Fflauta-magica-andes-escena||target:%20_blank|&#8221; button_color_type=&#8221;uncode-solid&#8221; uncode_shortcode_id=&#8221;627621&#8243; button_color_solid=&#8221;#66ba00&#8243;]Art\u00edculo Completo \/ Complete Article[\/vc_button][\/vc_column_inner][\/vc_row_inner][\/uncode_slider][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; style=&#8221;dark&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_custom_heading text_color=&#8221;color-jevc&#8221; uncode_shortcode_id=&#8221;969123&#8243; text_color_type=&#8221;uncode-palette&#8221;]<\/p>\n<h3>Programas de Mano<br \/>\nBooklets and brochures<\/h3>\n<p>[\/vc_custom_heading][vc_separator sep_color=&#8221;color-jevc&#8221; el_width=&#8221;50%&#8221; uncode_shortcode_id=&#8221;388490&#8243; sep_color_type=&#8221;uncode-palette&#8221;][vc_empty_space empty_h=&#8221;2&#8243;][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;4&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;319894&#8243;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243;][vc_empty_space empty_h=&#8221;0&#8243;][vc_single_image media=&#8221;3590&#8243; media_width_percent=&#8221;100&#8243; shadow=&#8221;yes&#8221; shadow_weight=&#8221;sm&#8221; media_link=&#8221;url:https%3A%2F%2Fwww.teatrosucre.com%2Fsites%2Fdefault%2Ffiles%2F06junio2018_desdelteatro.pdf||target:%20_blank|&#8221; uncode_shortcode_id=&#8221;321712&#8243;][vc_empty_space empty_h=&#8221;0&#8243;][vc_single_image media=&#8221;1717&#8243; media_width_percent=&#8221;100&#8243; shadow=&#8221;yes&#8221; shadow_weight=&#8221;sm&#8221; media_link=&#8221;url:https%3A%2F%2Fwww.teatrosucre.com%2Fsites%2Fdefault%2Ffiles%2F07julio2018_desdelteatro_0.pdf||target:%20_blank|&#8221; uncode_shortcode_id=&#8221;201250&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text uncode_shortcode_id=&#8221;183659&#8243;]La Flauta M\u00e1gica es muy especial porque tiene varios niveles de entendimiento, posee melod\u00edas que tienen un sentido popular, que representa al hombre com\u00fan, pero a la vez tiene personajes arquet\u00edpicos, con ciertos aspectos morales. Trata de hacer una descripci\u00f3n de toda la sociedad a trav\u00e9s de distintos estilos musicales de una manera muy entretenida y emocional.<\/p>\n<p><em>\u00bfQu\u00e9 retos represent\u00f3 el adaptar musicalmente esta \u00f3pera cl\u00e1sica al lenguaje de los instrumentos andinos?<\/em><\/p>\n<p>Eso fue precisamente lo m\u00e1s atractivo de la propuesta de la maestra Pati\u00f1o. No es solamente una versi\u00f3n con instrumentos andinos sino que hay un concepto org\u00e1nico: hubo una traducci\u00f3n al castellano, pero lo m\u00e1s importante es que todo el concepto de la obra ha sido trasladado a la cosmogon\u00eda y los conceptos religiosos de nuestras filosof\u00edas andinas. La reorquestaci\u00f3n fue una adaptaci\u00f3n realizada en primer lugar por el Maestro Segundo C\u00f3ndor, que era el DirectorArt\u00edstico de la Orquesta de Instrumentos Andinos (OIA). \u00c9l hizo un trabajo de adaptaci\u00f3n<br \/>\ny estableci\u00f3 unos lineamientos generales, pero por una enfermedad lamentablemente muri\u00f3 y no pudo terminarla. Cuando yo llegu\u00e9 para hacer una primera lectura de las partituras nos dimos cuenta que \u00e9l estableci\u00f3 unos criterios, pero no estaba terminada. Entonces realizamos un trabajo co-creativo con Tadashi Maeda, Leonardo C\u00e1rdenas y otros colegas que trabajan con la OIA. Tuvimos que traducir el lenguaje de la orquesta europea, que est\u00e1 fundamentada en el sonido de la familia de los violines, al sonido de la orquesta andina. Se preserv\u00f3 todo: la melod\u00eda, la armon\u00eda, el esp\u00edritu de Mozart, pero cambia un poco el vestido de la obra porque usamos nuestros colores. Con ese cambio tambi\u00e9n cambia la sensibilidad, la emoci\u00f3n, el aroma de la obra.<\/p>\n<p><em>Anteriormente ya has realizado algunos proyectos con la Fundaci\u00f3n Teatro Nacional Sucre, \u00bfC\u00f3mo ha sido tu experiencia de trabajo con su equipo?<\/em><\/p>\n<p>Esa es una pregunta que me encanta porque hay que decirlo: lo que ustedes tienen aqu\u00ed en el Teatro Nacional Sucre es algo maravilloso. Es raro encontrar un medioambiente donde participan todas las generaciones de artistas, desde los artistas ejecutivos que dirigen el proyecto hasta los j\u00f3venes estudiantes que est\u00e1n en un primer nivel de su carrera. Todo el mundo trabaja con un gran entusiasmo, cari\u00f1o, una interacci\u00f3n f\u00e1cil y mucha alegr\u00eda. Adem\u00e1s tienen la posibilidad de desarrollar proyectos interesantes sin frenos. Es realmente una situaci\u00f3n bien especial en Latinoam\u00e9rica. Yo espero que su trabajo se defienda y perdure por d\u00e9cadas.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; style=&#8221;dark&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243;][vc_custom_heading sub_lead=&#8221;small&#8221; uncode_shortcode_id=&#8221;128605&#8243; subheading=&#8221;DesdelTeatro #150 &#8211; Junio 2018&#8243;]La musicalidad universal de Mozart[\/vc_custom_heading][vc_column_text text_color=&#8221;color-vyce&#8221; uncode_shortcode_id=&#8221;648707&#8243; text_color_type=&#8221;uncode-palette&#8221;]<em>El jueves 14 de junio ser\u00e1 el estreno mundial de la producci\u00f3n m\u00e1s ambiciosa y original de la Fundaci\u00f3n Teatro Nacional Sucre. Entre ensayos, la estadounidense Carmen-Helena T\u00e9llez, Directora Musical de La Flauta M\u00e1gica de los Andes, nos revela algunos detalles sobre la reorquestaci\u00f3n al lenguaje de los instrumentos andinos de la obra maestra de Mozart. La adaptaci\u00f3n musical que inici\u00f3 hace diez a\u00f1os Segundo C\u00f3ndor (1957 \u2013 2015), est\u00e1 lista para salir a la luz.<\/em>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;129064&#8243;]<em>\u00bfC\u00f3mo fue tu vinculaci\u00f3n al equipo creativo de La Flauta M\u00e1gica de los Andes?<\/em><\/p>\n<p>Yo conozco a la maestra Ch\u00eda Pati\u00f1o desde hace muchos a\u00f1os. Ella se form\u00f3 en Indiana University en Bloomington, Estados Unidos, en un periodo en el que yo era profesora de Direcci\u00f3n. Durante ese tiempo establecimos una amistad muy linda. Yo estaba siempre muy impresionada por su talento, por una actitud de avanzada que ella ten\u00eda en todas sus propuestas, a\u00fan como estudiante. En aquel momento siempre discut\u00edamos la posibilidad de hacer una nueva \u00f3pera americana adaptada a la sensibilidad de nuestra cultura. Con el correr del tiempo Ch\u00eda se convirti\u00f3 en la Directora Art\u00edstica y Ejecutiva de la Fundaci\u00f3n Teatro Nacional Sucre y cuando ella me hizo saber de la posibilidad de hacer La Flauta M\u00e1gica de los Andes, inmediatamente le dije que estar\u00eda encantada de participar.<\/p>\n<p><em>Para quienes no conocen La Flauta M\u00e1gica de Mozart \u00bfPor qu\u00e9 es tan importante esta \u00f3pera?<\/em><\/p>\n<p>Es importante por muchas razones. Es una obra maestra que se ha sostenido en el repertorio por m\u00e1s de doscientos a\u00f1os. Mozart la hizo en 1791, el mismo a\u00f1o que compuso el R\u00e9quiem<br \/>\ny de su muerte. Mozart es conocido por ser un compositor de \u00f3pera que escribe de una manera muy humana, que refleja las experiencias de cualquier persona de una manera sublime.[\/vc_column_text][vc_empty_space empty_h=&#8221;1&#8243;][vc_separator sep_color=&#8221;color-vyce&#8221; uncode_shortcode_id=&#8221;155016&#8243; sep_color_type=&#8221;uncode-palette&#8221;][vc_custom_heading text_color=&#8221;color-vyce&#8221; uncode_shortcode_id=&#8221;172722&#8243; text_color_type=&#8221;uncode-palette&#8221;]\u201cTuvimos que traducir el lenguaje de la orquesta europea, que est\u00e1 fundamentada en el sonido de la familia de los violines, al sonido de la orquesta andina\u201d[\/vc_custom_heading][vc_separator sep_color=&#8221;color-vyce&#8221; uncode_shortcode_id=&#8221;155016&#8243; sep_color_type=&#8221;uncode-palette&#8221;][vc_empty_space empty_h=&#8221;4&#8243;][vc_single_image media=&#8221;1718&#8243; media_width_percent=&#8221;100&#8243; shadow=&#8221;yes&#8221; shadow_weight=&#8221;sm&#8221; media_link=&#8221;url:https%3A%2F%2Fwww.teatrosucre.com%2Fsites%2Fdefault%2Ffiles%2F10octubre2018_desdelteatro.pdf||target:%20_blank|&#8221; uncode_shortcode_id=&#8221;879160&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; back_color=&#8221;color-gyho&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; style=&#8221;dark&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;1&#8243;][vc_custom_heading uncode_shortcode_id=&#8221;988840&#8243;]<\/p>\n<h2>Videos Promocionales \/ Promotional Videos<\/h2>\n<p>[\/vc_custom_heading][vc_separator sep_color=&#8221;accent&#8221; uncode_shortcode_id=&#8221;164187&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_width=&#8221;55%&#8221;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; back_color=&#8221;color-gyho&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;382&#8243; media_width_percent=&#8221;100&#8243;][vc_single_image media=&#8221;384&#8243; media_width_percent=&#8221;100&#8243;][vc_single_image media=&#8221;386&#8243; media_width_percent=&#8221;100&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;383&#8243; media_width_percent=&#8221;100&#8243;][vc_single_image media=&#8221;385&#8243; media_width_percent=&#8221;100&#8243;][vc_single_image media=&#8221;387&#8243; media_width_percent=&#8221;100&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; 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