{"id":9103,"date":"2022-01-01T00:00:14","date_gmt":"2022-01-01T00:00:14","guid":{"rendered":"https:\/\/www.chiapatino.com\/home\/?page_id=9103"},"modified":"2024-06-20T12:46:00","modified_gmt":"2024-06-20T12:46:00","slug":"rphrdyc","status":"publish","type":"page","link":"https:\/\/www.chiapatino.com\/home\/rphrdyc\/","title":{"rendered":"ORPHEUS &#038; EURYDICE"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;0&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;0&#8243; back_color=&#8221;color-wayh&#8221; back_image=&#8221;7641&#8243; overlay_color=&#8221;color-prif&#8221; overlay_alpha=&#8221;11&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;142869&#8243; back_color_type=&#8221;uncode-palette&#8221; overlay_color_type=&#8221;uncode-palette&#8221;][vc_column width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;5&#8243;][vc_empty_space empty_h=&#8221;5&#8243;][vc_empty_space empty_h=&#8221;5&#8243;][vc_empty_space empty_h=&#8221;5&#8243;][vc_empty_space empty_h=&#8221;5&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; overlay_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;117128&#8243; overlay_color_type=&#8221;uncode-palette&#8221;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; style=&#8221;dark&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text uncode_shortcode_id=&#8221;135485&#8243;]<strong><em>Music by Christoph Willibald Gluck; Libretto by Ranieri de&#8217; Calzabigi<\/em><\/strong>[\/vc_column_text][vc_custom_heading heading_semantic=&#8221;h1&#8243; text_size=&#8221;h1&#8243; uncode_shortcode_id=&#8221;538330&#8243;]Orpheus &amp; Eurydice[\/vc_custom_heading][vc_separator sep_color=&#8221;color-jevc&#8221; uncode_shortcode_id=&#8221;157091&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_width=&#8221;50%&#8221;][vc_column_text text_color=&#8221;accent&#8221; uncode_shortcode_id=&#8221;775958&#8243; text_color_type=&#8221;uncode-palette&#8221;]2022[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;829891&#8243;][vc_column width=&#8221;1\/3&#8243;][vc_empty_space empty_h=&#8221;1&#8243;][vc_column_text uncode_shortcode_id=&#8221;178517&#8243;]<\/p>\n<h3>Creative Team<\/h3>\n<p>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;191722&#8243;]Stephen Stubbs \/\u00a0<em>Conductor<\/em><\/p>\n<p>Ch\u00eda Pati\u00f1o \/<em>\u00a0Director<\/em><\/p>\n<p>Donald Byrd \/\u00a0<em>Choreographer<\/em><\/p>\n<p>Carey Wong \/\u00a0<em>Scenic Designer<\/em><\/p>\n<p>Liesl Alice Gatcheco \/\u00a0<em>Costume Designer<\/em><\/p>\n<p>Robert Aguilar \/\u00a0<em>Lighting Designer<\/em><\/p>\n<p>Robertson Witmer \/\u00a0<em>Sound Designer<\/em><\/p>\n<p>S Katy Tucker \/<em>\u00a0Video And Projection Designer<\/em><\/p>\n<p>John Keene \/\u00a0<em>Chorusmaster<\/em><\/p>\n<p>Philip Kelsey \/\u00a0<em>Arranger<\/em>[\/vc_column_text][vc_empty_space empty_h=&#8221;1&#8243;][vc_button hover_fx=&#8221;outlined&#8221; outline=&#8221;yes&#8221; border_width=&#8221;0&#8243; link=&#8221;url:https%3A%2F%2Fwww.seattleopera.org%2Forpheus|target:_blank&#8221; uncode_shortcode_id=&#8221;132522&#8243;]Complete credit list[\/vc_button][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_empty_space empty_h=&#8221;1&#8243;][vc_column_text uncode_shortcode_id=&#8221;732931&#8243;]<\/p>\n<h3>Cast<\/h3>\n<p>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;997884&#8243;]Christopher Ainslie \/\u00a0<em>Orfeo<\/em><\/p>\n<p>Key&#8217;mon W. Murrah \/<em>\u00a0Orfeo<\/em><\/p>\n<p>Ariana Wehr \/<em>\u00a0Eurydice<\/em><\/p>\n<p>Shelly Traverse \/\u00a0<em>Eurydice<\/em><\/p>\n<p>Sharleen Joynt \/\u00a0<em>Amore<\/em><\/p>\n<p>Deanna Breiwick \/\u00a0<em>Amore<\/em>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_empty_space empty_h=&#8221;5&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_custom_heading uncode_shortcode_id=&#8221;741781&#8243;]<\/p>\n<h2>Gallery<\/h2>\n<p>[\/vc_custom_heading][vc_separator sep_color=&#8221;color-jevc&#8221; uncode_shortcode_id=&#8221;649759&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_width=&#8221;15%&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_gallery el_id=&#8221;gallery-122021&#8243; medias=&#8221;7638,7639,7640,7641,7642,7643,7644,7645,7646&#8243; explode_albums=&#8221;yes&#8221; gutter_size=&#8221;0&#8243; screen_lg=&#8221;1000&#8243; screen_md=&#8221;600&#8243; screen_sm=&#8221;480&#8243; single_overlay_opacity=&#8221;50&#8243; single_overlay_anim=&#8221;no&#8221; single_text_anim=&#8221;no&#8221; single_image_anim=&#8221;no&#8221; single_padding=&#8221;2&#8243; single_text_reduced=&#8221;yes&#8221; single_border=&#8221;yes&#8221; uncode_shortcode_id=&#8221;205108&#8243;][vc_empty_space empty_h=&#8221;3&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_custom_heading uncode_shortcode_id=&#8221;800717&#8243;]<\/p>\n<h2>Reviews<\/h2>\n<p>[\/vc_custom_heading][vc_separator sep_color=&#8221;color-jevc&#8221; uncode_shortcode_id=&#8221;213944&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_width=&#8221;15%&#8221;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;5&#8243; bottom_padding=&#8221;5&#8243; back_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;100&#8243; gutter_size=&#8221;100&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; style=&#8221;inherited&#8221; uncode_shortcode_id=&#8221;150633&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column column_width_percent=&#8221;100&#8243; align_horizontal=&#8221;align_center&#8221; gutter_size=&#8221;3&#8243; style=&#8221;dark&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; zoom_width=&#8221;0&#8243; zoom_height=&#8221;0&#8243; width=&#8221;1\/1&#8243;][uncode_slider slider_interval=&#8221;5000&#8243; slider_navspeed=&#8221;1000&#8243; el_id=&#8221;100004&#8243;][vc_row_inner row_inner_height_percent=&#8221;0&#8243; back_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;4&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;105116&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column_inner column_width_use_pixel=&#8221;yes&#8221; position_vertical=&#8221;middle&#8221; align_horizontal=&#8221;align_center&#8221; gutter_size=&#8221;3&#8243; style=&#8221;dark&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; column_width_pixel=&#8221;900&#8243; uncode_shortcode_id=&#8221;164941&#8243;][vc_custom_heading text_color=&#8221;color-prif&#8221; text_font=&#8221;font-165742&#8243; sub_lead=&#8221;small&#8221; sub_reduced=&#8221;yes&#8221; uncode_shortcode_id=&#8221;447438&#8243; text_color_type=&#8221;uncode-palette&#8221; subheading=&#8221;In a recent Opera Talk at Tagney Jones Hall, dramaturg Jonathan Dean sat down with stage director Ch\u00eda Pati\u00f1o, choreographer Donald Byrd, and conductor Stephen Stubbs to discuss the creative vision behind our new production of Christoph Willibald Gluck\u2019s Orpheus and Eurydice&#8221;]A Lesson on Love, Loss, and Letting Go &#8211; An Opera Talk with the creative team of Orpheus and Eurydice[\/vc_custom_heading][vc_button button_color=&#8221;color-jevc&#8221; hover_fx=&#8221;outlined&#8221; border_width=&#8221;0&#8243; link=&#8221;url:https%3A%2F%2Fwww.seattleoperablog.com%2F2022%2F01%2Fwatch-now-lesson-on-love-loss-and.html|target:_blank&#8221; uncode_shortcode_id=&#8221;179191&#8243; button_color_type=&#8221;uncode-palette&#8221;]Seattle Opera[\/vc_button][vc_empty_space empty_h=&#8221;1&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=&#8221;0&#8243; back_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;4&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;452365&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column_inner column_width_use_pixel=&#8221;yes&#8221; position_vertical=&#8221;middle&#8221; align_horizontal=&#8221;align_center&#8221; gutter_size=&#8221;3&#8243; style=&#8221;dark&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; column_width_pixel=&#8221;900&#8243; uncode_shortcode_id=&#8221;106323&#8243;][vc_custom_heading text_color=&#8221;color-prif&#8221; text_font=&#8221;font-165742&#8243; sub_lead=&#8221;small&#8221; sub_reduced=&#8221;yes&#8221; uncode_shortcode_id=&#8221;800452&#8243; text_color_type=&#8221;uncode-palette&#8221;]Seattle Opera\u2019s \u2018Orpheus and Eurydice\u2019 takes advantage of more intimate venue[\/vc_custom_heading][vc_button button_color=&#8221;color-prif&#8221; hover_fx=&#8221;outlined&#8221; border_width=&#8221;0&#8243; link=&#8221;url:https%3A%2F%2Fwww.seattletimes.com%2Fentertainment%2Fclassical-music%2Fseattle-operas-orpheus-and-eurydice-takes-advantage-of-more-intimate-venue%2F|target:_blank&#8221; uncode_shortcode_id=&#8221;285313&#8243; button_color_type=&#8221;uncode-palette&#8221;]The Seattle Times[\/vc_button][vc_empty_space empty_h=&#8221;1&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=&#8221;0&#8243; back_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;178194&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; position_vertical=&#8221;middle&#8221; align_horizontal=&#8221;align_center&#8221; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;607977&#8243;][vc_custom_heading text_color=&#8221;color-prif&#8221; text_font=&#8221;font-165742&#8243; sub_lead=&#8221;small&#8221; sub_reduced=&#8221;yes&#8221; uncode_shortcode_id=&#8221;208565&#8243; text_color_type=&#8221;uncode-palette&#8221; subheading=&#8221;A stunning staging with top-notch design and choreography brings Gluck&#8217;s 1762 music into a thoroughly contemporary Underworld.&#8221;]Other worlds beyond Earth: Seattle Opera\u2019s \u2018Orpheus\u2019[\/vc_custom_heading][vc_button hover_fx=&#8221;outlined&#8221; border_width=&#8221;0&#8243; link=&#8221;url:https%3A%2F%2Fwww.orartswatch.org%2Fother-worlds-beyond-earth-seattle-operas-orpheus%2F|target:_blank&#8221; uncode_shortcode_id=&#8221;645019&#8243;]Oregon Artswatch, Arts &amp; Culture News[\/vc_button][vc_empty_space empty_h=&#8221;1&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=&#8221;0&#8243; back_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;4&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;197396&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column_inner column_width_use_pixel=&#8221;yes&#8221; position_vertical=&#8221;middle&#8221; align_horizontal=&#8221;align_center&#8221; gutter_size=&#8221;3&#8243; style=&#8221;dark&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; column_width_pixel=&#8221;900&#8243; uncode_shortcode_id=&#8221;213230&#8243;][vc_custom_heading text_color=&#8221;color-prif&#8221; text_font=&#8221;font-165742&#8243; sub_lead=&#8221;small&#8221; sub_reduced=&#8221;yes&#8221; uncode_shortcode_id=&#8221;203905&#8243; text_color_type=&#8221;uncode-palette&#8221; subheading=&#8221;Learn more about Stage Director Ch\u00eda Pati\u00f1o&#8217;s concept for Orpheus and Eurydice, her doubts about Orpheus&#8217;s heroism, and what this story has to teach us about love, loss, and letting go.&#8221;]Director&#8217;s note for Orpheus and Eurydice[\/vc_custom_heading][vc_button button_color=&#8221;color-jevc&#8221; hover_fx=&#8221;outlined&#8221; border_width=&#8221;0&#8243; link=&#8221;url:https%3A%2F%2Fwww.seattleoperablog.com%2F2021%2F12%2Fdirectors-note-for-orpheus-and-eurydice.html|target:_blank&#8221; uncode_shortcode_id=&#8221;130308&#8243; button_color_type=&#8221;uncode-palette&#8221;]Seattle Opera[\/vc_button][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=&#8221;0&#8243; back_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;192431&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; position_vertical=&#8221;middle&#8221; align_horizontal=&#8221;align_center&#8221; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;399837&#8243;][vc_custom_heading text_color=&#8221;color-prif&#8221; text_font=&#8221;font-165742&#8243; sub_lead=&#8221;small&#8221; sub_reduced=&#8221;yes&#8221; uncode_shortcode_id=&#8221;196205&#8243; text_color_type=&#8221;uncode-palette&#8221; subheading=&#8221;The scenario is simplified and concentrated even more in the version of the drama devised by director Chia Pati\u00f1o and music director Stephen Stubbs. There\u2019s nothing airy or sentimental about their goddess of love. She\u2019s a blunt earthy figure, impatient with Orfeo\u2019s unwillingness to accept the facts of life and death.&#8221;]Seattle Opera\u2019s Orfeo ed Euridice: Small and near perfect[\/vc_custom_heading][vc_button button_color=&#8221;color-prif&#8221; hover_fx=&#8221;outlined&#8221; border_width=&#8221;0&#8243; link=&#8221;url:https%3A%2F%2Foperatoday.com%2F2022%2F02%2Fseattle-operas-orfeo-ed-euridice-small-and-near-perfect%2F|target:_blank&#8221; uncode_shortcode_id=&#8221;182955&#8243; button_color_type=&#8221;uncode-palette&#8221;]Opera Today[\/vc_button][vc_empty_space empty_h=&#8221;1&#8243;][\/vc_column_inner][\/vc_row_inner][\/uncode_slider][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_custom_heading uncode_shortcode_id=&#8221;168403&#8243;]<\/p>\n<h2>Videos<\/h2>\n<p>[\/vc_custom_heading][vc_separator sep_color=&#8221;color-jevc&#8221; uncode_shortcode_id=&#8221;172170&#8243; sep_color_type=&#8221;uncode-palette&#8221; el_width=&#8221;15%&#8221;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; equal_height=&#8221;yes&#8221; gutter_size=&#8221;4&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;616077&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;489830&#8243;][vc_custom_heading uncode_shortcode_id=&#8221;279223&#8243;]Orpheus and Eurydice Pre Show Talk[\/vc_custom_heading][vc_single_image media=&#8221;6751&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;184248&#8243; media_link=&#8221;url:https%3A%2F%2Fyoutu.be%2FzCvhIwfvrp8|target:_blank&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_custom_heading text_font=&#8221;font-555555&#8243; uncode_shortcode_id=&#8221;102529&#8243;]Opera Talk: A Lesson on Love, Loss, and Letting Go[\/vc_custom_heading][vc_single_image media=&#8221;6752&#8243; media_width_percent=&#8221;100&#8243; uncode_shortcode_id=&#8221;647609&#8243; media_link=&#8221;url:https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DNDtCyhoLNO8|target:_blank&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;4&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Set in the intimate Tagney Jones Hall at the Opera Center, with three principal singers and a small orchestra, this captivating production offers a front-row seat to sublime melodies and breathtaking drama. Ch\u00eda Pati\u00f1o, former head of Ecuador\u2019s National Theatre, creates an all-new production that puts viewers in the midst of the action, and blurs the line between fantasy and reality.<\/p>\n","protected":false},"author":1,"featured_media":8035,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9103","page","type-page","status-publish","has-post-thumbnail","hentry","page_category-workcollection","page_category-stagedirector"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>ORPHEUS &amp; EURYDICE - Chia Pati\u00f1o<\/title>\n<meta name=\"description\" content=\"Set in the intimate Tagney Jones Hall at the Opera Center, with three principal singers and a small orchestra, this captivating production offers a front-row seat to sublime melodies and breathtaking drama. 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