{"id":9137,"date":"2010-02-01T00:00:53","date_gmt":"2010-02-01T00:00:53","guid":{"rendered":"https:\/\/www.chiapatino.com\/home\/?page_id=9137"},"modified":"2024-06-20T16:40:16","modified_gmt":"2024-06-20T16:40:16","slug":"swnytd","status":"publish","type":"page","link":"https:\/\/www.chiapatino.com\/home\/swnytd\/","title":{"rendered":"SWEENEY TODD"},"content":{"rendered":"

[vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”0″ top_padding=”0″ bottom_padding=”0″ back_color=”color-wayh” back_image=”7294″ back_position=”center top” parallax=”yes” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”468231″ back_color_type=”uncode-palette”][vc_column width=”1\/1″][vc_empty_space empty_h=”5″][vc_empty_space empty_h=”5″][vc_empty_space empty_h=”5″][vc_empty_space empty_h=”5″][vc_empty_space empty_h=”5″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_color=”color-gyho” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column column_width_percent=”100″ gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_empty_space empty_h=”2″][vc_custom_heading heading_semantic=”h5″]<\/p>\n

Sweeney Todd<\/h1>\n

Stephen Sondheim<\/strong>[\/vc_custom_heading][vc_separator sep_color=”color-jevc” uncode_shortcode_id=”220738″ sep_color_type=”uncode-palette” el_width=”50%”][vc_column_text]2010<\/p>\n

TEATRO NACIONAL SUCRE (Quito, Ecuador)<\/a><\/p>\n

M\u00fasica y letra \/ Music and Lyrics:<\/strong><\/em>\u00a0Stephen Sondheim
\nLibreto \/ Script:<\/em><\/strong>\u00a0Hugh Wheeler, seg\u00fan la adaptaci\u00f3n de Christopher Bond
\nTraducci\u00f3n al espa\u00f1ol \/ Translation:<\/strong><\/em>\u00a0Roser Batalla y Roger Pe\u00f1a<\/p>\n

Equipo Creativo \/ Creative Team:<\/h3>\n

Direcci\u00f3n Musical \/ Conductor:<\/strong><\/em> Ray Fellman
\nPreparaci\u00f3n Musical y Direcci\u00f3n Musical \/ Musical Director:<\/strong><\/em> Vasiliki Tsouva
\nDirecci\u00f3n Esc\u00e9nica \/ Stage Director:<\/strong><\/em> Ch\u00eda Pati\u00f1o
\nEscenograf\u00eda \/ Scenic Desing:<\/strong><\/em>\u00a0Liliana Duque
\nDise\u00f1o de Vestuario \/ Costume Desing:<\/strong><\/em>\u00a0Pepe Rosales[\/vc_column_text][vc_empty_space empty_h=”1″][vc_separator sep_color=”color-gyho”][vc_empty_space empty_h=”1″][vc_column_text]2012, Gira ecuatoriana:
\nGuayaquil, Teatro Centro C\u00edvico Eloy Alfaro<\/a>
\nCuenca, Auditorio del banco Central<\/p>\n

2012, Bog\u00f3ta:
\nTeatro Mayor<\/strong> Julio Mario Santo Domingo<\/a> | Premio del p\u00fablico[\/vc_column_text][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”5″ bottom_padding=”5″ overlay_alpha=”100″ gutter_size=”100″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ style=”inherited” uncode_shortcode_id=”123117″ back_color_type=”uncode-solid” back_color_solid=”#c2003c”][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ zoom_width=”0″ zoom_height=”0″ width=”1\/1″][uncode_slider slider_interval=”5000″ slider_navspeed=”1000″ slider_hide_arrows=”yes” el_id=”128574″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”4″ shift_y=”0″ z_index=”0″ sticky=”yes” uncode_shortcode_id=”105820″ back_color_type=”uncode-solid” back_color_solid=”#c2003c”][vc_column_inner column_width_use_pixel=”yes” align_horizontal=”align_center” gutter_size=”3″ style=”light” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ column_width_pixel=”900″][vc_custom_heading text_color=”color-lxmt” heading_semantic=”h6″ text_size=”h6″ text_transform=”uppercase” uncode_shortcode_id=”175300″ text_color_type=”uncode-palette”]Prensa \/ Press[\/vc_custom_heading][vc_custom_heading text_color=”color-xsdn” uncode_shortcode_id=”857114″ text_color_type=”uncode-palette”]\u2018Sweeney Todd\u2019 llena las expectativas[\/vc_custom_heading][vc_column_text text_lead=”yes” text_color=”color-lxmt” uncode_shortcode_id=”408268″ text_color_type=”uncode-palette”]“Los actores desplazaban la escenograf\u00eda en medio de la dramatizaci\u00f3n sin que eso interrumpiera la atenci\u00f3n de los presentes. El p\u00fablico aplaudi\u00f3 en cada cambio de escena que se desenvolv\u00eda en la tienda donde Mrs. Lovett vend\u00eda pasteles horribles, la barber\u00eda de Todd y la casa del juez Turp\u00edn.”<\/em><\/p>\n

EL COMERCIO, 19 de noviembre 2010<\/em><\/p>\n

[\/vc_column_text][vc_button button_color=”color-uydo” size=”btn-sm” hover_fx=”outlined” outline=”yes” border_width=”0″ link=”url:https%3A%2F%2Fwww.elcomercio.com%2Ftendencias%2Fentretenimiento%2Fsweeney-todd-llena-expectativas.html||target:%20_blank|” button_color_type=”uncode-palette” uncode_shortcode_id=”155422″]Art\u00edculo Completo \/ Complete Article[\/vc_button][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”4″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”159141″ back_color_type=”uncode-solid” back_color_solid=”#c2003c”][vc_column_inner column_width_use_pixel=”yes” align_horizontal=”align_center” gutter_size=”3″ style=”light” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ column_width_pixel=”900″][vc_custom_heading text_color=”color-lxmt” heading_semantic=”h6″ text_size=”h6″ text_transform=”uppercase” uncode_shortcode_id=”379389″ text_color_type=”uncode-palette”]Prensa \/ Press[\/vc_custom_heading][vc_custom_heading text_color=”color-uydo” uncode_shortcode_id=”840516″ text_color_type=”uncode-palette”]La macabra leyenda del barbero Sweeney Tood llega a los escenarios de Bogot\u00e1[\/vc_custom_heading][vc_column_text text_lead=”yes” text_color=”color-lxmt” uncode_shortcode_id=”491917″ text_color_type=”uncode-palette”]“La escenograf\u00eda esta basada en las tallas de un Londres absolutamente putrefacto”, explic\u00f3 Pati\u00f1o, escenario id\u00f3neo en el que aflora en esa pareja lo peor de la miseria humana cuando “se ven seducidos por el poder de poder matar, sintiendo que est\u00e1n dominando la escena”.<\/em><\/p>\n

LA INFORMACI\u00d3N | EFE, 07 junio 2011<\/em><\/p>\n

[\/vc_column_text][vc_button button_color=”color-uydo” size=”btn-sm” hover_fx=”outlined” outline=”yes” border_width=”0″ link=”url:https%3A%2F%2Fwww.lainformacion.com%2Farte-cultura-y-espectaculos%2Fteatro%2Fla-macabra-leyenda-del-barbero-sweeney-tood-llega-a-los-escenarios-de-bogota_p1q92gzyVzdICxwb3o0I03%2F||target:%20_blank|” button_color_type=”uncode-palette” uncode_shortcode_id=”555468″]Art\u00edculo Completo \/ Complete Article[\/vc_button][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”4″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”368723″ back_color_type=”uncode-solid” back_color_solid=”#c2003c”][vc_column_inner column_width_use_pixel=”yes” align_horizontal=”align_center” gutter_size=”3″ style=”light” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ column_width_pixel=”900″][vc_custom_heading text_color=”color-lxmt” heading_semantic=”h6″ text_size=”h6″ text_transform=”uppercase” uncode_shortcode_id=”164317″ text_color_type=”uncode-palette”]Prensa \/ Press[\/vc_custom_heading][vc_custom_heading text_color=”color-xsdn” uncode_shortcode_id=”149497″ text_color_type=”uncode-palette”]’Sweeney Todd’ recibi\u00f3 ovaciones en Guayaquil[\/vc_custom_heading][vc_column_text text_lead=”yes” text_color=”color-lxmt” uncode_shortcode_id=”173778″ text_color_type=”uncode-palette”]Esta producci\u00f3n, de la Fundaci\u00f3n Teatro Nacional Sucre de Quito, sorprendi\u00f3 a muchos por la calidad escenogr\u00e1fica y la actuaci\u00f3n del elenco, integrado por m\u00e1s de 40 artistas, entre tenores, bar\u00edtonos, bajos, sopranos, contraltos y coristas.<\/em><\/p>\n

EL UNIVERSO, 9 de noviembre 2010<\/em><\/p>\n

[\/vc_column_text][vc_button button_color=”color-uydo” size=”btn-sm” hover_fx=”outlined” outline=”yes” border_width=”0″ link=”url:https%3A%2F%2Fwww.eluniverso.com%2F2010%2F11%2F09%2F1%2F1380%2Fsweeney-todd-recibio-ovaciones-guayaquil.html||target:%20_blank|” button_color_type=”uncode-palette” uncode_shortcode_id=”154252″]Art\u00edculo Completo \/ Complete Article[\/vc_button][\/vc_column_inner][\/vc_row_inner][\/uncode_slider][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”0″ top_padding=”0″ bottom_padding=”0″ back_color=”color-jevc” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column column_width_percent=”100″ gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_gallery el_id=”gallery-9751014″ type=”justified” medias=”7081,7110,7109,7108,7107,7106,7104,7103,7101,7100,7098,7097,7096,7094,7093,7092,7091,7090,7084,7082″ justify_row_height=”250″ justify_last_row=”hide” gutter_size=”0″ media_items=”media|lightbox|original” single_overlay_color=”color-wayh” single_overlay_opacity=”50″ single_overlay_anim=”no” single_text_anim=”no” single_image_anim=”no” single_h_align=”center” single_padding=”2″ single_icon=”fa fa-plus2″ single_border=”yes” lbox_no_arrows=”yes” no_double_tap=”yes” single_image_anim_move=”yes” title=”SWEENEY TODD GALLERY” uncode_shortcode_id=”144590″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-lxmt” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/1″][vc_empty_space empty_h=”3″][vc_empty_space empty_h=”3″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”4″ shift_y=”0″ z_index=”0″][vc_column_inner width=”1\/2″][vc_single_image media=”7299″ media_width_percent=”100″ media_link=”target:_blank” uncode_shortcode_id=”611582″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_custom_heading]<\/p>\n

El cl\u00e1sico musical de Stephen Sondheim \u201cSweeney Todd. The demon barber of Fleet Street” <\/em>se estrena en el Ecuador.<\/em><\/h2>\n

[\/vc_custom_heading][vc_column_text uncode_shortcode_id=”117743″]Esta historia macabra, que ten\u00eda todos los componentes para convertirse en uno de esos relatos transmitidos oralmente de generaci\u00f3n en generaci\u00f3n, tuvo su primera versi\u00f3n en papel en el follet\u00edn por entregas The String of Pearls: A Romance, escrito probablemente por Thomas Prest, y fue tal su \u00e9xito que el dramaturgo George Didben lo adapt\u00f3 para los escenarios brit\u00e1nicos convirti\u00e9ndose en un referente de los teatros de Blood Tubs, denominaci\u00f3n con la que se conoce un g\u00e9nero sangriento muy popular en el siglo XIX. Sin embargo, con el paso del tiempo, el libreto de Dibden pas\u00f3 por tantas manos que poco a poco fue perdiendo solidez y se hizo casi irrepresentable. A finales de la d\u00e9cada de los sesenta, el dramaturgo Christo pher Bond decidi\u00f3 dar a la obra la consistencia perdida y reescribi\u00f3 de nuevo la historia, convirtiendo la venganza del personaje protagonista en el eje del relato, estrenando a mediados de los setenta, en el Theatre Royal de Londres.<\/p>\n

TNS Desde el Teatro N#48<\/em>[\/vc_column_text][vc_empty_space empty_h=”3″][vc_empty_space empty_h=”1″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/1″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column column_width_percent=”100″ gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_empty_space empty_h=”4″][vc_custom_heading uncode_shortcode_id=”569051″]<\/p>\n

Stage design blue prints, \u00a0costume design & make up<\/h2>\n

[\/vc_custom_heading][vc_separator sep_color=”color-jevc” uncode_shortcode_id=”182563″ sep_color_type=”uncode-palette” el_width=”65%”][vc_empty_space empty_h=”3″][vc_gallery el_id=”gallery-43823678″ isotope_mode=”fitRows” medias=”7277,7278,7280,7281,7282,7286,7287,7288″ infinite=”yes” infinite_preloaded_items=”” infinite_loading_items=”” gutter_size=”0″ media_items=”media|lightbox|original” screen_lg=”1100″ screen_md=”760″ screen_sm=”100″ single_width=”5″ single_overlay_opacity=”50″ single_overlay_anim=”no” single_text_anim=”no” single_image_anim=”no” single_h_align=”center” single_padding=”2″ single_icon=”fa fa-plus2″ single_border=”yes” lbox_no_arrows=”yes” carousel_rtl=”” single_title_uppercase=”” single_title_serif=”” single_no_background=”” uncode_shortcode_id=”327464″][\/vc_column][\/vc_row][vc_row unlock_row=”” row_height_percent=”0″ override_padding=”yes” h_padding=”0″ top_padding=”0″ bottom_padding=”0″ overlay_alpha=”100″ gutter_size=”100″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ style=”inherited” uncode_shortcode_id=”156970″][vc_column column_width_percent=”100″ position_horizontal=”left” position_vertical=”bottom” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ z_index=”0″ medium_width=”0″ zoom_width=”0″ zoom_height=”0″ width=”1\/1″][vc_empty_space empty_h=”4″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column column_width_percent=”100″ gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_empty_space empty_h=”2″][vc_custom_heading uncode_shortcode_id=”377678″]<\/p>\n

Poster y Promocionales \/ \u00a0Merchandise<\/h2>\n

[\/vc_custom_heading][vc_separator sep_color=”color-jevc” uncode_shortcode_id=”125288″ sep_color_type=”uncode-palette” el_width=”50%”][vc_empty_space empty_h=”2″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ equal_height=”yes” gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner width=”1\/2″][vc_single_image media=”7298″ media_lightbox=”yes” media_poster=”yes” media_width_percent=”100″ media_link=”url:https%3A%2F%2Fwww.teatrosucre.com%2Fproduccion%2Fsweeney-todd||target:%20_blank|” uncode_shortcode_id=”873711″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″][vc_single_image media=”7301″ media_lightbox=”yes” media_poster=”yes” media_width_percent=”100″ uncode_shortcode_id=”174053″][vc_single_image media=”7302″ media_lightbox=”yes” media_width_percent=”100″ media_link=”url:https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DLxO51PalMDw||target:%20_blank|” uncode_shortcode_id=”168135″][vc_empty_space empty_h=”1″][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=”3″][vc_empty_space empty_h=”3″][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”100″ override_padding=”yes” h_padding=”7″ top_padding=”7″ bottom_padding=”7″ back_color=”accent” back_image=”7290″ parallax=”yes” overlay_color=”color-lxmt” overlay_alpha=”10″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ bottom_divider=”gradient” uncode_shortcode_id=”182960″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette”][vc_column column_width_percent=”100″ position_vertical=”middle” align_horizontal=”align_center” gutter_size=”4″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading text_color=”color-lxmt” text_size=”h1″ css_animation=”curtain” animation_delay=”400″ interval_animation=”200″][\/vc_custom_heading][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ equal_height=”yes” gutter_size=”2″ shift_y=”0″ z_index=”0″][vc_column_inner column_width_use_pixel=”yes” align_horizontal=”align_center” gutter_size=”4″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”6″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”1\/1″ column_width_pixel=”150″][vc_button border_width=”0″ link=”url:https%3A%2F%2Fwww.teatromayor.org%2Fevento%2Feventos-antiguos%2Fsweeney-todd-brutal-barbero-de-fleet-street%3Ffunction%3D458||target:%20_blank|” button_color_type=”uncode-solid” button_color_solid=”#c2003c” uncode_shortcode_id=”137654″]Teatro Mayor Bogot\u00e1[\/vc_button][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”5″ bottom_padding=”5″ overlay_alpha=”100″ gutter_size=”100″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ style=”inherited” uncode_shortcode_id=”205190″ back_color_type=”uncode-solid” back_color_solid=”#c2003c”][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ zoom_width=”0″ zoom_height=”0″ width=”1\/1″][uncode_slider slider_interval=”5000″ slider_navspeed=”1000″ el_id=”128574″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″ sticky=”yes” uncode_shortcode_id=”112741″ back_color_type=”uncode-solid” back_color_solid=”#c2003c”][vc_column_inner column_width_percent=”100″ position_vertical=”middle” align_horizontal=”align_center” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading text_color=”color-xsdn” heading_semantic=”h6″ text_size=”h6″ text_transform=”uppercase” uncode_shortcode_id=”166458″ text_color_type=”uncode-palette”]Prensa \/ Press[\/vc_custom_heading][vc_custom_heading text_color=”color-xsdn” uncode_shortcode_id=”163598″ text_color_type=”uncode-palette”]’Sweeney Todd’ tiene tragedia y corrupci\u00f3n[\/vc_custom_heading][vc_column_text text_lead=”yes” text_color=”color-xsdn” uncode_shortcode_id=”447039″ text_color_type=”uncode-palette”]“Adem\u00e1s de su versi\u00f3n en Broadway, esta historia tambi\u00e9n se populariz\u00f3 en el 2007 con la adaptaci\u00f3n al cine que dirigi\u00f3 Tim Burton y<\/em>\u00a0aunque Pati\u00f1o se declara admiradora del trabajo del cineasta, asegura que su puesta en escena no se inspira en dicha pel\u00edcula. “Yo fui m\u00e1s a la fuente original, a esa Londres que era la lacra del mundo… Por ejemplo, toda la sangre que hay en la pel\u00edcula de Burton no se ve en nuestra obra, porque me parece que las muertes son m\u00e1s metaf\u00f3ricas”, argumenta la directora.<\/em>“<\/em><\/p>\n

EL TIEMPO, 07 de junio, 2012<\/em><\/p>\n

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