Suite Española: Explorando IberiaHouston Grand Opera


2021

Ana María Martínez Project – Creator
Chía Patiño – Director
S. Katy Tucker – Projection Designer
Irma La Paloma  – Choreographer
Kevin J. Miller – Principal Coach
Jeremy Johnson – Projected Titles

Featuring

Ana María Martínez  –  Soprano
Ricardo García – Tenor
Blake Denson – Baritone
Manuel Gutierrez Cabello  – Solo Dancer
Ana María Barceló – Solo Dancer
Kevin J. Miller – Piano
Jeremy García – Guitar
Richard Brown – Percussion

Suite Española: Explorando Iberia

Suit Española, Explorando Iberia  was a celebration of music from Spain, created by HGO Artistic Advisor Ana María Martínez, (one of the greatest sopranos in the world) showcased the art form known as zarzuela and the Spanish musical theater, it featured a collage of selections from the repertoire’s most beautiful pieces.

Martínez joined by pianist Kevin J. Miller, guitarist Jeremy Garcia, and percussionist Richard Brown; flamenco dancers Manuel Gutierrez Cabello and Ana María Barceló; and two HGO Studio artists, tenor Ricardo Garcia and baritone Blake Denson. Cuban artist Irma La Paloma serves as choreographer, and Ecuadorian composer Chia Patiño, stage director for the University of Texas Butler Opera Center as director.

Program


“Canción Española (De España vengo)” from El niño judío – Pablo Luna (1879-1942)
“Sevilla” from Suite Española – Isaac Albéniz (1860-1909)
“La petenera” from La marchenera – Federico Moreno Torroba (1891-1982)
“En Aranjuez, con tu amor” from Concierto de Aranjuez – Joaquín Rodrigo (1901-1999)
“No corté más que una rosa” from La del manojo de rosas – Pablo Sorozábal (1897-1988)
“No puede ser” from La tabernera del puerto – Pablo Sorozábal
“Carceleras” from Las hijas del Zebedeo – Ruperto Chapí (1851-1909)
“En mi tierra extremeña” from Luisa Fernanda – Federico Moreno Torroba
“Asturias” from Suite Española – Isaac Albéniz
“Tres estrofas de amor” – Pablo Casals (1876-1973)
“El cant dels ocells” – Pablo Casals
“Granada” from Suite Española – Isaac Albéniz
“Dúo pasodoble” from El gato montés – Manuel Penella (1880-1939)
“Guajiras” from La revoltosa – Ruperto Chapí
“Goizeko eguzki argiak” from Mirentxu – Jésus Guridi (1886-1961)

Gallery


Suite Española, personal journal


The End

An inspiring process, surrounded by the amazing team HGO leads, and an extremely resilient group of artists, even if there were only eight on stage. The level of trust and camaraderie made the process enjoyable.

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The world has split in 4

split in 4...

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Last rehearsal

How we balance things, and how we feel them. I finish my last rehearsal knowing that it’s not in my hands any more. But we have a great product: a wide selection of pieces that show the many aspects of the peninsula.

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Between mirrors and espejos

Words and good stories need to be savor as a gourmet dish. With wonder, curiosity, and very slow. We choose the wine that accompanies our meal, and so should we choose our readings and translations. Speed reading has become an art, and I for myself am a really slow reader because I want to taste the flavors.

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Pushing Forward

It’s been unusually exhausting. Not because the work is harder than usual: it is not. Maybe because we keep exploring the unknown, with half the usual support. There is a constant feeling of wide exposure, and we are very aware of our fragility. A year indoors has changed our stamina.

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The ones you see

Working again with them is a gift. Hard to describe what we can feel when they sing. So, we stay silent and in awe.

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Rest day

A good day to rest and read.

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New world, new rules: the theatre

Four cameras, the closest one to stage and the performers on a mechanical rail. Support on stage will be behind new plastic walls during tech, but only performers when we finally tape. I will not be looking at the stage, but at a huge screen with all the camara shots.

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Nothing

I revisited my education on Spaniard conquest, understood how Spain is really a “casual” mix of races, religions and geography. School books lie, and history is told by those in power. It has become fashionable to push away the “invaders”, but the color of my skin tells me that I am the result of those mixes. My best discovery: zarzuela came of the people, by the people and for the people, and so, it should not perish. It got kidnapped and sanitized.

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Sweat

It took one second! Let me share the good news, because I’m breathing again: rehearsing!!!

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Blurfed

The arts have been abandoned by the times, and there are new words that need to come out and bring some light again. I feel blurfed. Yes, I just made up the word. I can say it, and it feels what I feel: it has energy on a dark vowel, and it hits percussively at the end while it jumps forward.

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The things we pack 

Things I never packed before: hand sanitizer, alcohol spray, a collection of masks: disposable, comfortable to work with, elegant, informal, visors, thermometer, paracetamol. Dry cleaning and washing might be an issue, so pack enough clothes for 15 days. We are in "Zoom" times, so gadgets feast: computer, chargers, batteries, headset, iPad, iPad pencil, USBs and all the cables that match everything.

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